stefanroloff

STEFAN ROLOFF

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WRITING / PUBLICATIONS

This page lists individual publications only.
For a comprehensive list, including collective publications please check the bio
Stefan Roloff is currently working on his first novel.

2020 - present (chronological)

BEARING WITNESS Survivors of the Red Orchestra Speak

Catalogue, Publisher: Resistance Memorial Foundation, Berlin, 2022, 250 pages, illustrated, color. 

2010 - 2020 (chronological)

LINDENHOTEL

Exhibition, curated by Carola Stabe
Catalogue, Publisher: Fördergemeinschaft Lindenstrasse, Potsdam, 2010, 62 pages, illustrated, color. Catalogue design: Bob Bahra.
Text (English and German) by Mark Gisbourne

THE RED ORCHESTRA

Screenplay by Carola Stabe and Stefan Roloff

For this screenplay, the authors received a FFA grant in 2015. It is registered at the Writer’s Guild.
The Red Orchestra Synopsis

New York, 1948. JACK (22) is an aspiring journalist. When his father’s career at the state department is unexpectedly jeopardized he orders JACK to forget his former teacher MILDRED. JACK is upset. The American woman was their closest friend when his father worked for the US embassy in Nazi-Berlin. He decides to find out what happened and travels to the ravaged post-war city. He finds work and lodging with PAUL, an occupying officer and editor of the Observer, the paper of the American Forces.
PAUL lives in a grand old villa where JACK meets ANNA, a beautiful painter. She accompanies him to Mildred’s apartment and they see that she moved. An old neighbor refuses to recognize him and turns aggressive. Jack’s mother is shocked when she finds out that he’s in Berlin. She urges him to return home. Meanwhile, ANNA entangles herself in contradictions. JACK wonders if she’s a former Nazi. Their relationship swings back and forth between attraction and suspicion.
At the same time he finds out that Mildred had risked her life resisting Hitler. She was tortured by the Gestapo, guillotined and is defamed in post-war Germany as a traitor. He locates the former Nazi-prosecutor and wants to speak with him. He has to depend on ANNA to cross 130 miles through the perilous Soviet zone from Berlin to West Germany which is off limits to American civilians. He finds the prosecutor at a Neonazi rally inflaming the audience against the former resistance fighters. He describes himself as the Americans’ espionage expert and denounces survivors of the group as Soviet spies. When JACK confronts him, havoc breaks out in the hall. Unexpectedly, ANNA uses the confusion. She wants to shoot the judge but her gun jams. During JACK and ANNA’s flight two of Roeder’s bodyguards die.
JACK finds out that ANNA is Jewish. She managed to hide her identity from the Nazis. After her family was killed she partook in daring resistance-activities. She explains to him that PAUL, by order of the secret service, had made sure that his article about MILDRED would never be published. She suggests that he work with her in her artists‘ cabaret where he’d be able to express himself freely, exposing any truth he wants. In her show she confronts the post-war audience with the recent past. However, JACK insists on his hopeless plan to publish an article about Mildred. The American secret service arrests and interrogates him. Under a barrage of intimidation tactics, among them the threat that they would deliver ANNA to the Neonazis, they give JACK an ultimatum to collaborate with them. Against all obstacles JACK manages to publish his article and escapes the country with ANNA.

Related links
„Red Orchestra“ moods
„Red Orchestra“ storyboards
„Red Orchestra“ source interviews with survivors that this screenplay is based upon
More about Carola Stabe

FLIGHT

Catalogue. Publisher: Westwendischer Kunstverein, 2017, 40 pages, illustrated, color. Curated by Anna and Andreas v. Bernstorff
Text: Three transcripts from videoportraits (English and German)

BEYOND THE WALL

Installation, curated by Carola Stabe
Catalogue. Publisher: Kunst darf alles e. V. /Kulturprojekte GmbH, 2017, 40 pages, illustrated, color
Text: Foreword by Adrienne Goehler / Six transcripts from videoportraits in English and German

2000 - 2010 (chronological)

WHEN 6 IS 9

Catalogue. Publisher: Galerie Deschler, Berlin, 2001, 32 pages, illustrated, color
Text (English and German) by Michael Nungesser

Related link
When 6 is 9 portraits

DIE ROTE KAPELLE / THE RED ORCHESTRA

Book, publisher: Ullstein, Germany, 2002 – 379 pages, illustrated

VERÄNDERTE ZUSTÄNDE / ALTERED STATES

Exhibition curated by André Lindhorst
Catalogue. Publisher: Kunsthalle Osnabrück, 2004, 74 pages, illustrated, color
Text (English and German) by Peter Herbstreuth

CAFÉ HOLLAND

Screenplay for a feature film

For this screenplay, Carola Stabe and Stefan Roloff received a BKM grant in 2006 and a MEDIA grant in 2008

CAFÉ HOLLAND synopsis
A small town in the GDR at the time of the political change, 1988 – 1990: Tina and Kai’s life is out of joint. Their daughter is critically ill because untreated sewage is flowing into a swimming lake. Relationships with Tina’s father, a senior party official, become increasingly confrontational as he pressures her to keep the situation secret. After her daughter has recovered, Tina and Kai plan an event to make the problem public.
Unexpectedly, Kai, who had been imprisoned years earlier for attempting to flee the republic, is reminded of an old commitment to cooperate with the Stasi. He stays away from the event on a pretext. Tina has to do it on her own. Stasi men try to unsettle and discredit her through disruptive actions, and she fails to provide convincing evidence.
In Cafe Holland, a lively place visited by a cross-section of GDR society, she’s approached by Robert the next day. He has access to top secret data and wants to help Tina publish them in a second event.
In the meantime, massive reprisals by the Stasi have started. Tina is followed by cars everywhere. Inexplicable things happen: as a child she accidentally caused a fire in an apartment. Now she seems to repeatedly forget to turn off the stove. She is suspected of causing trouble on behalf of the CIA for a fee, and as if by magic, Western money appears in her apartment.
Right before the second public event Robert ends up in the hospital after a car accident caused by the Stasi. Tina narrowly escapes serious injury. Under pressure from Kai she takes a break. Still, the pressures are increasing. She starts to doubt her own perception, suspects friends of working for the Stasi and gets close to breaking down. Meanwhile, the Stasi stirs up Kai’s jealousy of Robert. Tina’s and Kai’s communication breaks down. When Tina learns that there is a spy near her, Kai first tries to prevent her from finding out who it could be. But then he breaks down and tells her that it was him.
But then everything turns into anger. At the time of the onset of political change, Tina organizes a festival for the 40th anniversary of the GDR, to which thousands of people come. It becomes part of the protest that lead to the collapse of the regime.

The screenplay, sponsored by BKM and MEDIA, is based on experiences of the co-author.

Related links
„Café Holland“ story-boards
Research about life behind the Iron Curtain: „GDR“ video portraits
More about Carola Stabe

VIDEOS 1978 – 2008

Catalogue. Publisher: Galerie Deschler, 2008, 80 pages, illustrated, color
Text (English and German) by Andrew Masullo and Stefan Roloff

1990 - 2000 (chronological)

PHOTOMORPHOSIS

Exhibition curated by Joshua Smith
Booklet. Publisher: Montgomery College Art Department, 1990, 8 pages, illustrated, black and white
Text by Joshua Smith

METAMORPHOSIS

Exhibition curated by Marcia Fortes
Booklet. Publisher: Casa de Cultura Laura Alvim, Rio de Janeiro, 1990, 6 pages, illustrated, color
Text (Portuguese) by Marcia Fortes

OUR DAILY PLANET / NUESTRO PLANETA COTIDIANO

Exhibition curated by Toño Gonzalez
Catalogue. Publisher: Udal Kultur Etxea, Bilbao, 1992, 16 pages, illustrated, color
Text (Spanish) by Ana Laura Alaez.

PENCE SPRINGS RESORT

Catalogue, Publisher: Threadwaxing Space, New York, 1995, 20 pages, illustrated, black and white
Text by Marcia Fortes

STEFAN ROLOFF, WORKS 1982-92

Exhibition curated by Makito Hayashi
Catalogue. Publisher: Seed Hall, Tokyo, 1992, 47 pages, illustrated, color
Text (English and Japanese) by Bert Winther
Exhibition organized by Kazuto Ohira and Deborah Parris

1980 - 1990 (chronological)

FOPO FEVER

Booklet. Publishers: Julia Jenkins, Stefan Roloff and Shinkichi Tajiri, 1981 – 8 pages, illustrated, black and white
FOPO FEVER was a Rock ’n Roll show following my temporary installation VOPOS IN THE EAST AND FOPOS IN THE WEST. The show was performed at Quartier Latin, Berlin in 1981 with musicians Kurt Herkenberg and Leo Lehr and performers Gerald Eckert, Julia Jenkins, Anja Kiessling and Elke Niegengerd.

STEFAN ROLOFF

Booklet. Publisher: Louis v Adelsheim, 1981 – 4 pages
Due to my then lack of exhibition history this booklet listed an imaginary biography, written in German by Louis v. Adelsheim and Stefan Roloff

STEFAN ROLOFF

Catalogue. Publishers: Anna and Andreas v. Bernstorff, 1981 – 10 pages, illustrated, black and white
Text (German) by Heinz Ohff

STEFAN ROLOFF

Catalogue. Publisher: Art Palace, New York, 1984, 16 pages, illustrated, color
Text by Carlo Mc Cormick

STEFAN ROLOFF

Catalogue. Publisher: Ausstellungen Schinkestrasse, Berlin, 1987, 20 pages, illustrated, color
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